After the final day of the exhibition we took down our instruments in just over an hour and headed for the hotel. We intended to eat at the Chinese restaurant, but the queue there dissuaded us and we went again to the Japanese restaurant on the 21st floor. Even that was on the full side – poor Björn had to accept eating at a non-smoking table. Both Björn and Ola had a set menu, Ola heating his soba noodles and adding soy sauce to most everything, which made Björn and me cringe at his flagrant breaking of Japanese “rules.” He liked it his way, though. I had raw shrimp (ama-ebi), something else I don’t remember just now, and what I thought the waitress said was a grilled fish head, but turned out to be the bit behind the head. It was the only shioyaki (salted and grilled) item on the menu, so I went for it and rather enjoyed it not being the head.Â
I left early, because I intended to attend the second set of the group Dodekachordon, playing at the Rakuya club in Naka-Meguro. I knew of the concert because way back when I stayed in Futtsu, I attended the Chiba Bay Side Jazz festival and heard the saxophonist Kazuhiro Takeda in another formation, QUADRA, and still get concert announcements from him. Two years ago I got to hear QUADRA again and still marvel at the precision and rich sound of four saxophones playing together.Â
The Rakuya wasn’t hard to find: a short walk from the Naka-Meguro metro station along a narrow boutique-lined street and there it was, on the right. Inside a waiter informed me I could choose between a seat at a table where someone was already sitting or one at the bar. I picked the table and got lucky: the other person was Tomy Tsuzzy, who had illustrated the Dodekachordon CD. Takeda-san was talking to him and introduced me; I gave him a Patent Ochnser Wildbolz & Süsstrunk CD in exchange for a Dodekachordon disc. I wonder if he’ll like the Bärndütsch?Â
Soon the lights dimmed and the musicians got ready for the second set, all four of them sporting some variation on a goatee. They sat on the stage in front of a wall-to-wall window opening onto a courtyard with bushes and some fluorescent light illuminating a back exit. Small spots dotted the ceiling that made me wonder why ceilings in clubs are always ugly, even when the rest of the decor is tasteful. Here candles on the tables and washi paper covered cubes standing on end along the wall allowed the patrons to read menus and find their drinks. The curtain of Christmas lights bordering the top of the bar rounded off the lighting scheme.Â
I had expected jazz; the sign outside said world music; the genre when I loaded the CD into iTunes said “Holiday.” The latter does the music the most justice, because the only common thread through all songs is the relaxed enjoyment the musicians obviously take from playing songs that take cues from Klezmer, Dixieland, Flamenco, Funk, Calypso, Blues, Mariachi, and other genres. They had already established a rapport with the full house in the first set and kept up the light-hearted joking and lengthy facetious introductions between songs to laughter and claps from the crowd of about 40. In one of the announcement Takeda-san even mentioned the traveling microscope salesman from Switzerland, but nobody mentioned it to me afterwards. I guess nobody knew they needed an atomic force microscope. The music exuded excitement and unforced playful energy, and with the whimsical humor of their compositions I half expected to hear a song combining riffs on the jingles the train stations play when the train is about to leave. While the bass and guitar mostly supplied rhythm and the saxophone and trombone smooth harmonic melodies, all players got chances at soloing and usually drew laughs from the band members sitting out. The songs swung from sparse, dry bass-guitar interplay to full-on horns and a driving rhythm, making for fun listening.Â
Last time I’d attended a QUADRA concert, they played happy birthday for a member of the audience. This time, when they introduced the band members, instead of introducing the bassist they played Wagner’s wedding march and announced his recent marriage. The crowd got most excited when the bride was pointed out. It fit the general atmosphere that the bassist himself initiated the rhythmical clapping for an encore. I returned to the hotel tired but content.Â
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